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Neither “Il Divo” nor “Loro” is a conventional biopic, and Sorrentino is not any realist. These videos enjoy the theater of electrical power, and Servillo, in grotesquely synthetic make-up, from time to time resembles a puppet or possibly a political cartoon. He emphasizes Andreotti’s reptilian guile and magic formula vanity, and Berlusco

Over the past 10 years, I’ve assumed deeply about complicity and culpability. Is it legitimate, as being the German theologian Martin Niemöller contended, that individuals who did not converse out in Nazi Germany were equally as culpable as being the prison guards? Anita Hill’s press tour for her guide about gender violence grew to become an